art history

...now browsing by category

 

Art history in Florence: Santa Trinita church

Tuesday, May 18th, 2010

This marvellous church in central Florence is considered one of the most important pieces of the Florentine artistic evolution, as it was completed by various artists in a long time.  Built upon a first little church called Santa Maria dello Spasmo (of which we can still see the crypt), Santa Trinita (Holy Trinity) was started in a gothic style and was the first Gothic church in Florence (followed by Santa Maria Novella).

The church was gradually enlarged and enriched and finally in 1300 became an Abbey. In 1500 Buontalenti was asked to modify the presbitery and to rebuild the convent. He’s the author of the Mannerist façade and he created the monumental altar (that was removed in 1800). Then, the cloister was commissioned to Alfonso Parigi il vecchio and some parts of it were added in the following centuries.

Santa Trinita is the mother church of the Vallumbrusan Order of monks founded in 1092 by a Florentine nobleman.

The church counts numerous chapels where you will find many masterpieces; are you interested to know everything about them? Go there with one of our experienced art history teachers! The church can be infact included in our art history programs.

Art history in Florence: the Vasari Corridor

Friday, April 2nd, 2010

One of the most beautiful mastepiece Florence can be proud of is the Vasari Corridor, an elevated passageway from Palazzo Vecchio towards Palazzo Pitti, passing through the Uffizi Gallery. Its path covers the Lungarno Archibusieri and Ponte Vecchio, and part of the façade of the Santa Felicita church too. Unfortunatelly, it is mostly closed to visitors.

The Corridor was built in just five months in 1564 by order of Cosimo I de’ Medici and designed by Giorgio Vasari. It was commissioned along with the marriage of Cosimo’s son, Francesco, with Johanna of Austria. Cosimo wanted this corridor in order to move freely between his residence and government palace, avoiding normal streets. At the time it was infact a common  between rich families to feel insecure in public. The meat market of Ponte Vecchio was moved for the occasion because of its smell and in it was replaced by the goldsimth shops that you can still see on the bridge. Furthermore, the Corridor was forced to pass around the Mannelli’s Tower, after the opposition of that family to its destruction.

From the middle of Ponte Vecchio, the Corridor offers a suggestive view of the Arno and Ponte Santa Trinita; the windows that you can see nowadays were built for will of Benito Mussolini. It is also known that Hitler liked the visit to the Vasari Corridor; this fact saved Ponte Vecchio from distruction during the II World War.

In the Santa Felicita church the Corridor has a balcony where the Medici used to follow the mass without mixing with the populace.

In the Vasari Corridor a large and prestigious collection of portraits is showed.

Our art history courses bring you directly where the masterpieces are; take a look on our website!

Art history and more: Dante’s stone

Friday, March 19th, 2010

We all know Dante Alighieri for his importance in the Italian language and literature. During his life he was also a lively character of the Florentine life and in Florence there are many Dantesque places; churches, streets and corners where Dante used to go and to spend his time. It may happen that you can face the place where the Dante’s Stone used to be, and recognize it from a simple marble plate with the inscription “Sasso di Dante” (Dante’s Stone).

It was located in the Duomo square, between Piazza delle Pallottole and via dello Studio. Dante used to sat on that stone, whatching the construption of the Cathedral.

For more information about this curiosity, check the following link (in Italian) – http://firenzecuriosita.blogspot.com/

Discover the secrets of Florence with our guided visits and art history courses!

Italian painters: Andrea del Sarto

Monday, February 15th, 2010

This Florentine painter was born in 1486 and became famous during High Renaissance and early Mannerism. His surname, “del Sarto” (Tailor’s) comes to his father’s profession: he was in fact son of a tailor. After struggling with the malady he died alone on 22nd January 1531. Though his love life was sad and disordered, he did many portraits of his wife, who is often represented as the Madonna.  Despite his brief career, he produced a large number of frescoes and easel pictures.

Probably the most known of his painting is the Madonna of the Harpies (Madonna delle Arpie), where the Virgin and the child standing on a pedestal, flanked by angels and two saints. It was an altarpieced which was finished in 1517 for the convent of San Francesco dei Macci and nowadays it is conserved in a privilege position at the Uffizi gallery. Because of its stable lines (the triangle of the Madonna and the saints) the figures’ scheme has been copied several times. This masterpiece is consider one of the highest contribution to Renaissance art.

He is also known for his self portraits: one of them is shown at the National Gallery of London, and you can see many different one of course here in Florence at the gallery of Pitti Palace.

Would you like to know something more about this painter? Try our Art History courses, held by art history experts!

Art history in Florence: The column of San Zanobi

Thursday, October 22nd, 2009

Walking around the duomo area, you have certainly seen the San Zanobi column, located just in front of the entrance of the baptistery. It is dedicated to the memory of a miracle done by San Zanobi, the first bishop of Florence. The story behind the column tells about January 27th, year 429, the date when San Zanobi’s remains were transferred from the Church of San Lorenzo, the first Cathedral of Florence founded in 390AD, to Piazza del Duomo where the new Cathedral of Santa Reparata was being constructed.

When the procession passed the area of today’s piazza del Duomo – a tree grazed by San Zanobi’s bier began to sprout buds, new branches, and leaves – blooming in the heart of the winter.

This miracle is recalled by this column – and on the column in Gothic script almost illegible is the story and a darkened bronze relief of a tree in full bloom.

So every year I Fiorentini celebrate this miracle of San Zanobi on Jan 27, and decorate the base with flowers and greenery in his honor.

Find out the curiosities about Florence with our art history courses!

Art history in Florence: Brunelleschi’s Dome

Wednesday, July 29th, 2009

Would you like to know something more about the great wonderful Dome ideated by Brunelleschi? At the Opera del Duomo’s website, there’s a special section dedicated to this famous piece. After 15 years of hard work, finally all the ancient documents have been digitalized and can be consulted by anyone. Check the following link – http://www.operaduomo.firenze.it/cupola/home_eng.html

With the Institute Galilei’s art history courses, you will have the possibility to know the secret of Florence!

Art history in Florence: The Church of San Pier Maggiore

Tuesday, June 23rd, 2009

Actually, there is no church anymore. What we see going through the homonymus square is just an arch, the only thing that remains of the old building.

Once there was a womans’ Benedictine monastry, in which the abbess had the institutional duty to welcome the new bishop, when he was in visit to Florence. That’s why the Florentines, with their famous profanity, used to call her the bishop’s bride. The ancient romanic church, which had many changes and modifications during the years, can be seen in the Ghirlandaio’s San Zanobi’s miracle, set today at the Accademia museum.

The church was destroyed in 1783 because of its precary conditions; it all begun with the fell of a column, but the truth is that the duke Leopold II didn’t want to have too many religious istitution in the city of Florence. After the church, that area became a poor zone and lost its magnificence. What we can see now, it’s just three arches of the church’s ancient façade. Two of them are now part of private houses.

Find out the secrets of Florence with the Institute Galilei’s art history courses!

Excursions in Tuscany: Sovana & Pitigliano

Monday, June 1st, 2009

Sovana and Pitigliano are two small villages located in the province of Grosseto; they’re not too far from Florence, and of course really worth the visit.

Sovana, the smaller of the two, is a really typical place of Etrusc origins, where many ancients tombs can be seen. The houses keep the characteristic atmosphere of an old center, with their red-orange bricks.

Pitigliano stands on an abrupt tuff butte high above three small rivers. From the Aldobrandesque family, to the Jewish community, this place has many stories to be discovered and places to be admired. The sight from the upper town will leave you breathless.

The Institute Galilei offers guided excursions through the most famous and beautiful places in Tuscany. See the program here >>>

Art history in Florence: The Boboli Gardens

Friday, May 29th, 2009

During spring and summertime, the Boboli gardens is one of the places that must absolutely be visited. Located across the Arno river, in the less turistic and more “real” part of Florence, these gardens extend directly behind the Pitti Palace. They were laid out for Eleonora di Toledo (the wife of Cosimo I dé Medici) one year after the Medici Family purchased the palace; with their perfect shapes and simmetry, the Boboli gardens represent the perfect example of the Renaissance garden.

An elaborate irrigation system brings water from the arno river to the gardens (which lack  a natural source of water); whithin the many sculptures and artworks which you will be pleased to admire walking around, you can find an amphitheater, an egyptian obelisque (brought from the Villa Medici in Rome), the Fountain of Neptune, with the sculpture of Neptune by Stoldo Lorenzi.

The Boboli gardens can be included in the program of guided visits of Florence or in the art history course offered by the Institute Galilei.

Art history in Florence: Piazzale Michelangelo

Thursday, May 7th, 2009

Located in the Oltrarno, the part of the town across the river, this square is known all over the world for the magnificent view of the city landscape it offers – which is in fact reproduced in many postcards.

Designed by Giuseppe Poggioni, the square was buit in 1869, during the urban renewal of the town. Florence was the capital of Italy and during that period, the middle class strongly wanted to show its strong rebirth; there were created lungarni; on the right bank, instead of the fourteenth-century walls were open the avenues of the ring of a boulevard, on the left bank was traced, wind on the hill of San Miniato, the Viale dei Colli, a street tree overview 8 kilometers long, at whose climax the square was built as a terrace with a panoramic view inside the city.

The Michelangelo square, dedicated to the great Renaissance artist Michelangelo, has copies of some of his famous works in Florence: the David and the four allegories of the Medici Chapel of San Lorenzo. These copies are made of bronze, while the originals are all in white marble. The monument was brought up by nine pairs of oxen on 25 June 1873.

Poggi designed the loggia in the neoclassical style that dominates the whole terrace, which today houses a panoramic restaurant. Originally it was supposed to house a museum of works by Michelangelo, ever.

The view shows the heart of Florence from Forte Belvedere to Santa Croce lungarni through the bridges of Florence and in sequence, especially the Ponte Vecchio, are the Duomo, Palazzo Vecchio, the Bargello and the octagonal bell tower of the Badia Fiorentina, without forgetting opposed to the hills north of the city with the center and Settignano Fiesole.

The square can be accessed by car along the tree-Viale Michelangelo, made in those same years, or walk the stairs going up the ramps of the monumental Piazza Poggi Poggi in the district of San Niccolò.

(source: Wiki)

Discover Florence with a real art history teacher, following the Institute Galilei’s art history course!